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Showing posts with label Nineteenth Century. Show all posts
Showing posts with label Nineteenth Century. Show all posts

More "Falling" Women

William Holman Hunt shocked his female viewers when he painted “The Awakening Conscience” in 1853. This melodrama of sin and recognition was meant to teach women a vital lesson about her role in society. Surely this gave cause for some women to be upset?

A new ideal of womanhood was developing in the nineteenth-century. Spurred on by the anxiety created by the Industrial Revolution, the expanding mercantile-industrial middle class needed to establish a new identity and self-justification. The world of commerce was becoming increasingly the play ground of corporations rather than individual entrepreneurs. (Does this sound familiar today?)

The Industrial Revolution promised material and cultural success. And it was delivered with the abuse of laborers, absence of personal tax and the marginalization of women. With the increase of money came vice and debauchery -- something the revolutionaries fought so hard against to win their independence from Britain -- which began to creep in and contaminate the new world. “Luxury,” one American writer urged Thomas Jefferson in 1782 “consisted of a dull, animal enjoyment which left minds stupefied and bodies enervated by wallowing forever in one continual puddle of voluptuousness.”


Women were advised to cover up their arms and legs. And after age 16, the wrists and ankles. This image dates from 1868. (I have no idea where I got this image, have had it for years, my apologies for lack of credit.)

Something had to change. Reform was needed. Instead of reorganizing and recognizing the greed of emerging capitalistic society, reform was controlled in the home. With economic changes came a new family dynamic. Men left the home to work while women stayed behind to care for the house and children. This is nothing new, this structure has worked in the past and it works for many today. However, back then a heavy burden was placed upon women to be moral guiders. This “new ideal of womanhood” created very particular attitudes about work and family. It was clearly defined and drilled into girls at a very young age. It essentially had four characteristics that any good and proper young woman should cultivate: piety, purity, domesticity, and submissiveness.

Religion or piety was considered the core of woman’s virtue. It was to be the source of her strength. Young men looking for a wife were cautioned to first look for piety; if that was there, everything else would follow. Religion was considered the divine right of women. It was a gift of god. Her piousness gave her the strength to control the naughty and vulgar world of men. Women were warned not to let their literary or intellectual pursuits take them away from religion. If so, she could risk being barren.

From Godey's Lady's Book March 1850, Philadelphia. Quiet moment between friends before THE wedding night.

Purity was the essential piety to a young woman. Without it she was considered unnatural, unfeminine or worse no woman at all. She was considered a ‘fallen woman’. The marriage night was to be the single greatest event of a woman’s life. It was then when she “bestowed her greatest ‘treasure’ upon her husband”.


Mrs. John Farrar (Eliza was her name) wrote in a manual The Young Lady’s Friend lending advice how to avoid trouble: “Sit not with another in a place that is too narrow; read not out of the same book; let your eagerness to see anything induce you to place your head close to another person’s.” It was a huge success in America with reprints well into the 1890s.

Were women really buying into this?


“The Old, Old Story Was Told again at 3 O’Clock in the Morning” chromolithograph (although this version in b/w) unknown printer, c. 1870.

I was walking Billy one warm summer night. A cab came to a screeching halt and out poured three young girls from the car door, falling over one another into the street. They were also falling out of their dresses and shrieking in drunken obnoxious laughter. One girl couldn’t find her 4” high-heel shoe and another was uncertain if this was even the street where she lived. In the darkness, a sneer of disapproval came over my face followed by a cold shudder. I thought – wow - my friends and I certainly dressed differently at that age. And then a cold clammy sweat began to seep from my pores in horror knowing years ago I had untamed nights like that. I felt a little ill, but why? Would I have not blinked an eye if this was a taxi full of three young males? What if these were older men? Would that be any less appropriate? Was I judging these girls because they were girls? Haven’t we come a long way?

One girl could not get her key into the door and began doubting that she lived in the house. So she decided to take a nap in the front yard. The other two girls were laughing and dancing in the street. The cab driver, concerned, got out of his car and came up to me. He said: “Is this how young girls behave in your country?”

Smart or safe are not two words that came to my mind to describe this behavior. But I am certainly glad to be a woman living in this country. Although his comment did make me wonder: has conventional gendering behavior not changed that much? Today, how many husbands sit at home anxiously taping their foot as they await their drunken wives to teeter-totter home giggling at 3 O’clock in the morning? Women seem to just get annoyed when husbands come home from a late night out drinking -- they hog the bed, they smell and they miss the toilet. But men seem to fear when women behave this way. As if they will sully their reputation or run off you a much younger man... Double standard still prevails.

I've Fallen and I Can't Get Up: Rockingham Ware

For the women out there… Think about this: when was the last time you pulled out a household object such as a tea pot, water pitcher, baking dish, pie plate, or even a soap dish, and had to look at a pictorial image which reminded you to strive to be an “ideal” woman.

Today we have magazines pages to thumb through and commercial advertisements to watch on tv. Many of us pooh-pooh them as the messages are so trivial. We can close a magazine and turn off the tv. How many of us truly aspire to the media’s fabricated ‘idealized’ woman. Sure we buy the face creams, go to yoga to minimize the fatty texture on our bottoms, color the gray, and put on our spanx before a night out, but trying to look better doesn’t truly make us better women. We know this.

During Victorian America, women were bombarded with images of the ‘ideal’ woman. Problem was these images targeted core beliefs. Not superficial ones like today. They sent messages to women reminding them what a good woman was.



Pie Plate: Skinner, February 23, 2003

Rockingham pottery did just that. It was an inexpensive nineteenth-century ceramic widely used in America – an ordinary good. It performed a variety of tasks and played a variety of different roles in everyday life. But what is interesting is that much of Rockingham ware is pictorially embossed with an array of Victorian themes. The themes spoke of urbanization, nostalgia for country life and visually communicated hard messages. They depicted stories of men’s role in the world of hunting and woman’s role at home. How many men out there would like to have in their possession reinforcing pictorial images on every day wares such as a beer pitcher or a shaving mug of graphic hunting scenes?

10-paneled bulbous "manly" probably beer pitcher depicting a boar and stag hunt with hound handle. Awful to see those pronounced ribs -- feed the dog. Cowan’s, Cincinnati, Ohio, October 18, 2008.


Another pitcher of the same subject showing the other side. This one is attributed to E. & W. Bennett, Baltimore, Maryland, circa 1850. Cowan’s, June 21, 2008.

And how pleasant, hanging game... Garth’s Auctions, May 4, 2007
(Bummed the photo has been truncated.)


The embossed patterns on them maintained a cultural identity and the enactment of social roles. Although the ceramic was used at all social-class levels and in all types of communities from urban to rural, the images reinforced heavy expectations. Victorians were deeply concerned and conflicted about gender roles. And they were intensely materialistic people. For women, the theme of Rebekah at the Well was common. It reminded women to behave, serve and obey.


Garth's Auctions, Delaware, Ohio January 6, 2005.


D Marie's South Portland, Maine

Culture is a complex package of beliefs and behaviors. They are expressed through goods. Some of it we shape through our own preferences, and others forced upon us telling us what we need to choose and how we need to be.

These messages were seen over and over again every single day as the wares were used again and again. E. & W. Bennett pottery of Baltimore, Maryland is said to have first introduced Rebekah at the Well in the mid-nineteenth century and nearly all the potteries copied the pattern. In fact, by 1897 it was advertised in four sizes in the Sears Roebuck catalogue becoming the best and longest selling pattern in Rockingham history. The Rebekah at the Well theme embodied the Cult of True Womanhood which flourished during the mid-nineteenth century. (more of that in a post to come… as well as more Rockingham ware... for the darker, less mottled tortoise shell like glaze... Scatter ware, a colleague of mine likes to call it.)

Top image: Augustus Egg, Past and Present (1858)